1.- How did you start as a writer? How much time passed from your first draft to being agented, to the release of your first book, Battlemage (2015)?
Unwisely, I started writing full-length novels when I was nineteen or twenty. Throughout my twenties and thirties, I wrote novel after novel, was rejected, sulked, cried, put the book in a trunk, then started on a new one. I received interest from a literary about a new fantasy novel in 2013. That book turned out to be Battlemage, which was published in 2015 by Orbit Books.

2.- Your previous series were pure fantasy. However, The Nightingale and The Falcon could be classified as historical fantasy. Why did you choose this subgenre for the new series?
 I never want to do the same kind of story twice. It becomes boring to write and therefore boring to read. I constantly want to challenge myself and this felt like it would be interesting. Mixing fact and fiction, blending the two together in what I hope is a seamless way, to create something new and different and original. In a crowded and busy publishing market, it is incredibly difficult to achieve.

3.- What made you choose the setting of Persia for The Judas Blossom?
 I thought it was time to delve into my Persian heritage. It’s also a part of the world that a lot of people don’t really know that much about. Persia has a rich culture that spans centuries and it is full of poetry, literature, art, amazing architecture, food, mythology and so much more. The food. Wow, is the food good? Persia is a rich and fertile area that no one is writing stories about, in terms of historical fantasy. As far as I know, this is the first Persian-inspired historical fantasy series.

4.- We could say that you have a certain experience in writing and publishing. How would you say your creative process has evolved over the time?
I know what works for me and what doesn’t. At the start, I was still trying to figure it out. The best time and place for me to write. The best style. How to plan my books or not. Character and world-building first, or theme first and then plot. It’s been a lot of trial and error, before I was published with all of those trunk novels, and since I published Battlemage. Now I have familiar rhythms that I use to keep me on track, so I never miss a deadline.

5.- You have an interesting YT channel, talking and debunking many myths about publishing, among other themes. What gave you the idea to start it?
 The amount of bad information floating out there about traditional publishing is ridiculous. At first, it was a knee-jerk reaction to try and level the playing field by exposing the lies, the bias and nonsense that some so-called experts espouse, despite the fact that they have never worked in the industry, or spoken to an agent, editor, or been traditionally published. I’m always fair.
I am not there to vilify self publishing, far from it in fact, and I have done interviews with indie and traditional authors. Both paths have pros and cons and they are just different. After about a year, I found the majority of writers talking on YouTube were self-published and there are only about a dozen that are traditionally published. So even now, it is difficult to get reliable information from trusted sources.

6.- This is your fourth published series. Are you nervous about the reception?
I’m always nervous about a new series. I’m particularly nervous about the reception of this one because it is the most difficult series I’ve ever written, and because in many ways, it is the most personal. I have no idea how it will be received, but so far, early reviews have been positive, so fingers crossed.

7.- What advice would you give to an aspiring traditionally published author?
 Two pieces of advice. The first is for all writers. Finish the book. Even if you plan your books like me, you don’t know the full shape of your book until it’s done. Then you can step back, see the peaks and troughs, see the patterns, the character arcs, the changes that evolved organically while you were writing and so on. Then you can start trying to make it fit the idea of the novel in your head. You can’t do that until it’s all written down.
My second piece of advice is, remember that publishing is a business and having some business acumen is a good thing.

8.- What can we expect from Stephen Aryan in the future?
Something different again. I have a few ideas but I can’t tell you anything about them yet, as I have not even spoken to my agent.